Okay, I've been thinking of the things that can make a year of DIY. Here are some ideas:
Gobos--Jetphase suggested this one. Probably needs better carpentry than I have, but I can work on those skills. Really good to have some flexibility in your acoustics. It used to be that these were used for isolation to reduce bleed, but it doesn't need to be that way. RealTraps does their gobos either both sides absorbent or one side reflective. Cool possibilities possibilities for creative micing come to mind. Trouble here is I would need to know how to build these things. Got plans?
Bass Traps--DIY
plans from Ethan Winer from a pre-RealTraps article. Good ground rules, and likely more out there of this vein. Again, carpentry is the tough skill.
Shockmounts--no soldering, handy stuff to have. And pop-filters--again, useful stuff to have. The real trick for this stuff is making it look professional and not too kludged. But we kludge as we need to.
Racks--
The Amazing $22 Ikea rack with absolutely no carpentry required. All you need to do is screw on rack rails.
Direct Box--I'd like to do something like the
full-featured Jensen schematic though maybe with a cheaper transformer. Simpler is easier, of course. Maybe have two levels of project so people can choose how far to go.
Re-amplifier/reinjector/non-intellectual-property-infringing-level-matcher--
Jensen has one and there's the
one by NewYorkDave of the Lab. Remarkably similar in concept and execution, though the NYD one uses the much more budget-friendly Edcor transformer.
Mid-Side Matrix--passive with transformers is an easy project, and it's hard to argue going passive with good iron. Jensen has not just
one but
two schematics. Again, need not buy Jensen iron, but every so often it's nice to kick back something for all then handy schematics they provide.
I've got other ideas in active circuitry. Some of the stuff would be guitar-type pedals that the DI and re-amplifier help make into useful studio tools. There are some nice tweakable Fuzz Face circuits out there where you can do things like adjust the bias voltage. And if you can get stomp-box compressors hooked up right, they can be beautifully lo-fi.
Any of this sing to people?
Bear